As the third and final instalment of Mark Lawrence’s Broken Empire series, Emperor of Thorns brings the series to a fitting close. The story continues to follow Jorg, the young anti-hero in his efforts to achieve his life’s dream of becoming emperor, while contending with the rise of the Dead King and rivals to the Empire throne.
A few weeks ago I reviewed King of Thorns by Mark Lawrence and gave it a 9/10 (and I also reviewed the first book in the Broken Empire series, Prince of Thorns, and gave it 9/10). Well guess what? Mark has offered up some signed paperbacks of King of Thorns for bloggers to give away. Isn’t that awesome?
NOTE 15 June 2013: This contest is now closed.
King of Thorns is the second in Mark Lawrence‘s Broken Empire Series, following on from Prince of Thorns (which I reviewed here). It tells the continuing story of Jorg, now a king as the title implies, showing two stories running parallel – one set only months after the end of the preceding book, where Jorg sets out once more on a quest for answers and hope, and finds more than he bargained for; the other about four years later, and centres around a battle in which one of Jorg’s rivals for the Empire’s throne seeks to defeat Jorg at his castle, and Jorg and his followers do their darndest to stop them.
Like its predecessor, this is not a book for the faint of heart, or those who believe that protagonists should be towards the white end of the shades of grey spectrum.
Prince of Thorns by Mark Lawrence tells the story of Jorg, a teenaged prince who has left home to run with rogues to take revenge for his mother’s death. Narrator Jorg is hardly the traditional fantasy prince, nor a traditional protagonist; he’s an evil little sadist, but somehow oddly compelling as a protagonist.
I found Prince of Thorns incredibly compelling, difficult to put down – I even took my Kindle to work more than once so I could read it at lunch time. Lawrence has created a strong narrative voice, dripping with Jorg’s personality. There’s some great characterisation too – of Jorg in particular, but his perception of each of the other characters is well established.