Review: Red Sister by Mark Lawrence

Red Sister is Mark Lawrence’s seventh published novel and the seventh I have reviewed, so regular readers may already have some inkling of what to expect from this review. Released in April 2017, Red Sister is the first book in the Book of the Ancestor series. It follows Nona, a young girl from a tiny village, taken in my the sisters of Sweet Mercy Convent – which is no ordinary Earth-style convent, but one which trains girls as fighters and magic users, according to their abilities. Alongside Nona, we are plunged into a world of strange powers and nuanced intrigues.

Red Sister’s striking UK cover

Where his previous two trilogies were set in the world of the Broken Empire, in Red Sister Lawrence has created a new world, and one which is magnificent in its originality and allure. It is a difficult, grim world, where the fight for survival is immediate and constant, and the threat looms quite literally on the horizon. But it is also a beautiful world, painted with icy landscapes, glowing magic and strange architecture. Each new element of it is revealed organically, as Nona becomes aware of it, so that there is never the feeling of exposition but rather a sense of revelation that pulled me forward to learn more with just as much power as did the plot and characters.

Red Sister’s gorgeous US cover

Nona is a fantastic protagonist for this story, perfectly crafted to meet the needs of the story and of the reader. She is self-possessed if inexperienced, confident and private. The path of her growth and development feels natural and intensely sympathetic. Her relationships with the other characters are nuanced, changing over time as she becomes more knowledgable and more confident in her role at the Convent, in a way that demonstrates her increasing maturity as time passes.

It’s hard not to think of the plot overall from a writer’s perspective, so in blunt terms I will mention that it has a solid structure, with a series of well-placed story beats that lead logically through the events, giving a satisfying ending that has a strong sense of where it came from. But that doesn’t do it justice: it is a crafted, woven, elegant plot, with action in all the right places (and that action of the “badass” variety), subtleties and hints beaded into the fabric. All of these little elements – the magic, the setting, the different characters’ roles within the convent, Nona’s skills and approaches – all come together to build something unstoppable and remarkable.

Though not a short book, there is nothing superfluous, nothing that does not have a place in the story; but also no holes for confusion to dwell in, just enough information for the reader to have a full understanding without hand-holding. There is space for the reader’s imagination, but not for ambiguity; a perfect pitch.

I have made no secret, in my previous reviews of Mark Lawrence’s books, that I am definitely a fan. It is, I assure you, well-earned praise, and none more so than for Red Sister. It is a whole and complete book, aware of its position at the beginning of the trilogy but also very much with a full story of its own to tell, and that told brilliantly. I try to avoid giving books a rating of ten, as I feel this should be reserved only for the very best fiction the world has to offer, but in this case I have no reservations: Red Sister gets 10/10.

My previous reviews of Mark Lawrence’s books:

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